Category: Kim Blog (English)

Oddly Enough News Article | Reuters.com | Official can’t ban Madonna mock-crucifixion

AMSTERDAM (Reuters) – The Dutch justice minister has rejected a call by a Christian party to stop Madonna staging a mock-crucifixion in concerts in Amsterdam.

It’s amazing how easy it is to provoke, and it’s not like Madonna needs the extra publicity. Last week her concert in Denmark had an attendance of 85.000.

Some Christians took the bait, not too unlike some Muslims during the prophet Muhammad “Salla Allahu ‘Alaihi Wa Sallam” cartoon controversy.

I really can’t see any problem with Madonna performing a mock crucifixion – but: she’s a cleverly crafted product, but reinventing herself? Hardly! The return to 70ies Dance was basically lifted from Kylie Minouge, and the use of Swedish producers from Britney Spears.

I’m SO SO tired of these over hyped stars mega-stars, but enough said, I’d gone see Madonna in Horsens if I had tickets…You know me…I’m a complete sell-out!

KØBENHAVNS INTERNATIONALE TEATER 2006: Images of the Middle East: Maâllem Mokhtar Gania & Gnawa Sufi group and Djamel Laroussi

Surprise: I keep attending Images of the Middle East music events, but after the disappointment yesterday, my hopes were rather low, when I showed up for the gig.

I arrived a little late, and I was greeted by the great news, that the venue was packed, and they had to turn people away – luckily I already had a ticket.

Djamel Laroussi were already well into their set, but it was easy to see that this was music for dance-floors, played by some highly (understatement) accomplished musicians. Djamel Laroussi plays middle-eastern pop-music, but with a twist, mixing it with different flavours from the musical traditions of the world.

I found it a bit too mainstream, and I doubt any of that their records will find their way to my music collection, but I’d love to see them live again, and I had a big smile on my lip when the gig ended.

But this event was a double header, and we were in for a special treat.

Maâllem Mokhtar Gania & Gnawa Sufi group is traditional music, with deep religious meaning, mixing the traditions of old Africa, with the Arab world, for a truly unique and true type of music, but also dancing.

The tradition is at least thousand years old, but most likely as old as humanity itself, but it’s still fresh. The dancers are more like break-dancers, and the only instruments used were the traditional percussion, drums and this strange Bo Diddley looking bass and, last but not least, the chanting voices.

There was immediately strong response from the audience, some being of North African descend, for instance shouting religious sentences being answered by the members of the group.

I got swept away, and ended dancing in a kind of trance, it was very much like attending a rave, as one of the organisers also pointed out.

The Islamic world is living in an age of awakening, where conservatism is on the march, and the mystic traditions of Islam is under pressure, and there are real fears that this old tradition could be lost.

Long live this important human heritage. It doesn’t get truer than this, music and the love of life in it’s purest, cleanest form. It was difficult to adjust to the rainy and “1st of the month drunk” Copenhagen, after this deep and profound experience.

Tonight there will be a traditional leela-ritual performed. It starts at 9pm, once again at Kulturhus Islands Brygge, and runs for a full 12 hours. I’ll try to get in, even though I can’t be there on time, since I’m attending the Babazula concert@Vega tonight.

Non c’est n’etait pas soufit.

Images of the Middle East: Home

Since attending the Natacha Atlas concert last week, I sort of got addicted to the Images of the Middle East festival, and they keep sending mails about interesting events, so I “went all in”, and bought tickets to 5 further events, and the music program is extremely wide and interesting.

On the 30th of August 2006, my mothers 70th birthday BTW CONGRATULATIONS, two different hip-hop acts, with more than an inspiration from the Middle East, visited Stengade 30 in Copenhagen.

First up was DAM, a hip hop act of Palestinian desend, well the DJ was Jewish DJew as the joked.

I guess I shouldn’t say this, it’s a serious stereotype, but I came to think of labelling DAM as an Arab version of the Beastie Boys, because they have 3 MC/1 DJ lineup.

Unfortunately the set was a bit too political, and they didn’t really manage to fire up under the audience, that clearly weren’t used to hip-hop, unfortunately very few from the Copenhagen hip-hop community attended, I guess “Images” hasn’t been noticed by them, which is a shame.

I wasn’t too impressed by the DJ. I mean he was sort of OK, but since the crowd seemed to be such hip-hop ignorants, I guess they didn’t notice the version of the “Busta Rhymes” track “Touch It” or the reference to Jay-Z’s “Big pimpin'”. But generally the DJ was a bit bland, he needs to work on his scratching skills, since the wheels of steel is an instrument.

DAM delivered a short set with no extras, but all in all a little disappointing, mostly due to the slow crowd, because the rappers were great, and really, really fast, makes you want to learn Arabic. But they did manage to get the crowd shouting “Salaam Aleikum” several times! And yes Arabs have culture, but we all knew that, no need to preach to this crowd of non-prejudiced people.

After quite a while Clotaire K was ready to go on the stage.

And what a start, the DJ played a great trancelike intro, that build up to the entrance of a REAL band.

The line up was Drums, Bass, DJ, MC/Dancer and MC. Immediately it was clear that we were in for a special treat.

Clotaire K is the name of the MC, and he’s of Lebanese decent, based in Montpellier France.

The music is a great mix of hip-hop, rock, funk and some traditional Arabic music. It turned out that K is is an accomplished musician playing the lute, after joking that “it was broken” – in reference to the strange appearance of the lute with “the bend” – and that he just borrowed it. As a guy standing next to me shouted “DET ER FOR SVEDIGT DET DER”.

It’s difficult to pick highlights from the concert, but the duel between the lute and the DJ was great, or the time when the MCs took their duel to the floor, “ouvre les yeux! Follow the choreography!”.

I must admit that French hip-hop sometimes looks and sounds like “le futur de hip-hop”, as I said to the DJ when I bought their CD, “il faut des musiciens vrai” they’re doing hip-hop a great favour.

The joint was jumping. Stengade 30 is a great venue. Thank you for really keeping it real, “merci lec mecs, c’etait une spectacle extraordinairé”.

You can still catch Clotaire K and DAM at the “Images” festival. If you really like music, and not only hip-hop, and Clotaire K is as good an introduction to the genre, as you’ll find on the planet. Go hear them and get entertained.

Odense Studenterhuset* 31. aug. Kl. 21:00
Stockholm Re:Orient 1. sep. Kl. 22:00
Roskilde Gimle* 2. sep. Kl. 21:00
Helsingør Toldkammeret 3. sep. Kl. 21:00

Yesterday I attended the Natacha Atlas concert at the “Store VEGA” venue in Copenhagen.

I first heard of Natacha Atlas less than 2 months ago, and since then I’ve been sort of obsessing on her, but I hadn’t really heard any of her music except on Last.fm, that was until yesterday.

The concert had been moved from the smaller Lille VEGA due to high demand, and you can understand why.

The concert was part of the “Images of the Middle East” event, and you can’t really think of anyone better than Natacha Atlas to represent the fusion of cultures, she’s labelled herself, according to Wikipedia, as a “human version of the Gaza strip”, due to her multi-cultural background, and the conflicts that has created in her mind.

This time Natacha Atlas was bringing a predominantly acoustic ensemble, drums, cello, violin, guitar, flute and Fender Rhodes.

Natacha was concentrating on Arabic songs, most of them examples of fusion of the music styles of the west and the east, something she pioneered, but it’s been going on for centuries, just think of the south of Spain.

The mixture of West and The Middle East is a perfect fit, since the classic tradition of both music cultures really aren’t that different, but the use of more complex rhythms and especially the use of the voice as an instrument is something that is lacking in traditional western music.

Well Natacha you gave me the chills, it’s not often I’ve experienced this feeling at a concert, but what great musicians with your voice being the most beautiful sounding instrument of them all. Several times you had improvised duets with the musicians, and it was just beautiful.

It hard to pick any highlights from the concert, because it was all good, and several times I drifted into trance like state, but the several minutes long drum solo, where the audience joined in was indeed a highlight, the interpretation of “Black is the colour of my true love” was impressive, and the song that was played twice (one of the encores – I didn’t get the title), was a tribute to one of the most popular Arabic singers ever, Abdel Halim Hafez.

Store VEGA is a great venue, but I think that this performance would have been even better at a smaller venue, but the contact with the audience was nevertheless quite exceptional.

Final note: Natacha you’re everything Madonna would like to be. The “real” Madonna, or dare I say Isis graced Copenhagen yesterday, and I truly loved it. This was one of the greatest concerts I’ve ever attended.